Hidden in plain sight




installation views of the duo exhibition with Franco Guerzoni Hidden in plain sight, with a text by Davide Ferri, 2021, Galleria Studio G7, Bologna
This is a Fraud on the American Public


Installation views of the show The Castle of Crossed Destinies curated by Giulio Verago, 2021, DÌNAMO GALLERY, Porto (PT)

This is a Fraud on the American Public, 10’24”, colour, stereo sound, lcd screen, drawings mixed media, variable dimension

Solo le persone buone non puzzano, i santi forse profumano


Installation views of the solo show Solo le persone buone non puzzano, i santi forse profumano - Only the Good don’t Reek, Saints Maybe Even Smell Good, curated by Fabrizio Pizzuto, 2021, KH Lab, Roma
Via Farini Open-Sudio



Installation views of the 2020 Via Farini in Residence Open Studio, curated by Giulio Verago and Patrizia Brusarosco, Via Farini, Milano

B e C, on Private Language



Installation views of the solo show B e C, on Private Language, curated by Sarah Linford, with texts by Sarah Linford, Dorothea Detrich and Donatella Saroli 2018, Mantua (IT)


Untitled 3 (Map Negative), 2017,  monotype, oil on paper, 140 x 200 cm


Untitled 1 (Porfirio), 2017, monotype, collage, pencil and felt pen on paper, 210 x 200 cm


Untitled 2 (Unmapped), 2017, monotype, collage, pencil and felt pen on paper, 210 x 200 cm


There are, 2017, 8 monotypes, 70 x 100 cm each


Speculative Injections, 2017, series of six monotypes on digitally pre-printed paper 72 x 101 cm each

As We Go We See, 2018, site-specific sculpture, etching on polished raw copper, 3.5 x 98 x 0.1 cm
Installation views of the solo show B e C, on Private Language, curated by Sarah Linford, with texts by Sarah Linford, Dorothea Detrich and Donatella Saroli 2018, Mantua (IT)

There is, 2018, glass cut to various sizes, digital printing on paper shapes, white cement casts, gray concrete prefab, plasticine, paper, fossil


There is, 2018, glass cut to various sizes, digital printing on paper shapes, white cement casts, gray concrete prefab, plasticine, paper, fossil


There is (detail), 2018, glass cut to various sizes, digital printing on paper shapes, white cement casts, gray concrete prefab, plasticine, paper, fossil


There is (detail), 2018, glass cut to various sizes, digital printing on paper shapes, white cement casts, gray concrete prefab, plasticine, paper, fossil


Installation views of the solo show B e C, on Private Language, curated by Sarah Linford, with texts by Sarah Linford, Dorothea Detrich and Donatella Saroli 2018, Mantua (IT)


Complementary distribution 2, 2018, calcographic ink on glass, 100 x 140 x 0,3 cm


Complementary distribution 1, 2018, calcographic ink on glass, aluminium frame, 230 x 155 x 3 cm